39.4

39.4 was a Mexican brass-rock band behind a 1972 self-titled album on CBS. Pre-LP members formed the splinter group Bandido.

Members: Guillermo Brizio Domínguez Willow (lead guitar), Enrique Sánchez Ruíz (vocals), Jorge A. Salles (bass), Jaime Arturo Hernández (saxophone), Carlos Híjar Medina (trumpet, trombone), Octavio García Hernández (trumpet, flute), José Luis Zúñiga Lazcarro (drums), Ariel Castellanos Villanueva (keyboards)


Background

39.4 formed in 1967 in Guadalajara, Jalisco, when vocalist Enrique “Larry” Sánchez Ruiz and organist Ariel Castellanos Villanueva assembled a rock quintet with guitarist Guillermo “Willow” Brizio Domínguez, bassist Luis Sarmiento, and drummer Roberto Caravallo.

Sánchez Ruiz and Castellanos met as students at the Escuela Vocacional. Ruiz knew Brizio from an earlier group. The musicians initially called themselves Galers, a name derived from their initials, until Brizio proposed the numerical designation adopted by the band.

The quintet played extended engagements in Puerto Vallarta. Within months, Caravallo and Sarmiento stepped aside for frummer José Luis Zúñiga Lazcarro and bassist René Alonso. In 1968, 39.4 added reedist José Luis Guerrero and trumpeter Octavio García Hernández, followed by trombonist Carlos Híjar Medina. The musicians spent time in Tijuana that year, where local groups exposed the band to additional blues, soul, and rock repertoire. They incorporated brass arrangements associated with Chicago and Blood, Sweat & Tears and expanded their engagements throughout western Mexico.

In 1970, 39.4 participated in the First Festival de Conjuntos Tapatíos, organized by Alejandro Díaz Romo at the Radio Internacional studios in Guadalajara. The group recorded demos of “Faith” and “I Can Live Without You” for the project. CBS signed 39.4 and issued both songs as a single late in the year. The label subsequently included “Fe” on the 1971 compilation Ofensiva Pop 71.

The band relocated to Mexico City, where trombonist Luis Vicente “Luisillo” Arciniega joined the horn section. Castellanos returned to Guadalajara, while Sánchez Ruiz assumed rhythm guitar. The musicians played Raffles alongside Los Locos and shared a La Place du Soul engagement with the American group Mill Street Depo. Singer Valorie Green joined 39.4 from Mill Street Depo for several months. Guitarist Efrén “Oso” Olvera and bassist Eugenio “Keno” Guerrero also joined the changing Mexico City lineup.

A subsequent hotel engagement took 39.4 back to Guadalajara. Sánchez Ruiz, Brizio, and Zúñiga remained in the city when the engagement ended. In 1971, Olvera, Guerrero, and the Mexico City horn players departed to establish Bandido. The Guadalajara trio retained the 39.4 name and reunited with organist Castellanos, trumpeter/flutist García, and trombonist Híjar. Bassist Jorge A. Salles and saxophonist Jaime Arturo Hernández completed the reconstructed eight-member group, which entered the studio for the self-titled CBS debut album.


Discography:

  • 39.4 (1972)

Sources

  • 60 años de rock mexicano — 39.4. Rafael González. Detailed account of the Escuela Vocacional partnership, original Galers lineup, Puerto Vallarta engagements, brass additions, CBS contract, Mexico City residencies, Bandido split, and reconstructed album lineup. The relevant passage appears in the 2019 Viaje al espacio visceral transcription. (Viaje al espacio visceral)
  • Rockeros en tierra de mariachis. 2025 research by David Moreno Gaona. Academic research drawing on Enrique Sánchez Ruiz’s memoir and private recordings. Identifies the 1968 Tijuana visit and the 1970 Radio Internacional festival, including the original demos of “Faith” and “I Can Live Without You.” (CIESAS institutional repository, PDF)
  • Forjan el rock mexicano con nuevo aire. Franco Daniel Gómez, July 24, 2015. Interview with bassist Jorge Salles concerning early dances, school functions, repertoire, and the decision to introduce a brass section influenced by Chicago and Blood, Sweat & Tears. (NTR Guadalajara)
  • Ofensiva Pop 71. Examination of the original 1971 CBS compilation, catalog DCA-663, with a transcription from Piedra Rodante, issue 5, October 1971. Confirms “Fe” as the 39.4 contribution and identifies Enrique Sánchez as vocalist and bandleader. (Viaje al espacio visceral)
  • El rol del rocanrol en Guadalajara. Julio Alberto Valtierra, in Música y danzas urbanas, Secretaría de Cultura de Jalisco. Pages 107–108 identify all eight musicians on the 1972 album and establish the CBS/Okeh issue. (Secretaría de Cultura de Jalisco publication)

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