The Masters Apprentices

The Masters Apprentices were an Australian rock band from Adelaide that emerged as one of the nation’s premiere beat groups. They issued five singles and one album on Astor between 1966 and 1968, including the Aussie rock classics “Undecided,” “Wars or Hands of Time,” and “Elevator Driver.” After a change in lineup, they advanced into […]

Elmer Gantry’s Velvet Opera

Elmer Gantry’s Velvet Opera was an English psych-rock band that released multiple singles and a 1968 self-titled album on Direction. After Gantry’s departure, singer/guitarist Paul Brett led them on the 1969 release Ride a Hustler’s Dream. The rhythm section joined the Strawbs and later recorded as Hudson–Ford. Gantry surfaced in funk-rockers Stretch. Members: Colin Forster […]

Skip Bifferty

Skip Bifferty were an English pop-psych band from Newcastle that released four singles and a self-titled album on RCA Victor in 1967. Further recordings preceded a name-change to Heavy Jelly for the lengthy a-side “I Keep Singing That Same Old Song” on Island in 1969. Members: Graham Bell (vocals), Micky Gallagher (keyboards), Colin Gibson (bass), […]

Ike & Tina Turner

Ike & Tina Turner were the R&B/soul-rock duo of American guitarist/bandleader Ike Turner and his then-wife, singer Tina Turner. They came together in the late 1950s when Ike hired Tina as a backing vocalist for his band, the Kings of Rhythm. She first sang lead on the 1960 Sue Records single “A Fool In Love,” […]

The Dave Clark Five

The Dave Clark Five were an English beat group from Tottenham, named after drummer/businessman Dave Clark and fronted by keyboardist/singer Mike Smith. As part of the 1964–1966 British Invasion, they scored 13 Billboard Top 20 hits, including “Glad All Over,” “Bits and Pieces,” “Can’t You See That She’s Mine,” “Because,” “Over and Over,” and “Catch […]

The Spencer Davis Group

The Spencer Davis Group was an English R&B/beat band from Birmingham, fronted by teenage singer/keyboardist Steve Winwood. Signed to Fontana, they released three albums during 1965–66 comprised mostly of blues and soul covers. Though the band was democratic, they made guitarist/singer Spencer Davis their namesake because he was the only member willing to field journalists. […]