Scars were a Scottish post-punk band from Edinburgh that released the 1979 single “Adult/ery” / “Horrorshow” on Fast Product, followed with three 1980/81 singles on Charisma-subsidiary Pre, culminating with the 1981 album Author! Author! Their first single appeared on the seminal sampler Fast Product: The First Year Plan and its stateside variant Mutant Pop 78/79 -> along with tracks by 2.3, The Human League, Gang of Four, The Mekons, and The Flowers.
Members: Robert King (vocals), Paul Research (guitar), John Mackie (bass), Calumn Mackay (drums, 1977-80), Steve McLaughlin (drums, 1980-82)
1977–78: Formation and the Edinburgh Circuit
Scars formed in Edinburgh in February 1977 when guitarist Paul Mackie, later Paul Research, recruited brother John Mackie on bass and added singer Robert King and drummer Calumn Mackay through an advertisement at Hot Licks on Cockburn Street.
Paul took piano lessons from childhood and studied violin at school. The Mackie brothers made multiple band-starter attempts since their early teens. John switched from guitar to bass at Paul’s request and built an early instrument after the brothers heard the first Ramones album. King secured the vocal slot with “Anarchy in the U.K.” at the audition.
Scars entered a small Edinburgh punk circuit in February 1977, three months ahead of the concert that enlarged the city scene. The Clash brought the White Riot package to Edinburgh Playhouse on May 7 with The Jam, Buzzcocks, Subway Sect, and The Slits. The audience also included the nucleus of Orange Juice (Edwyn Collins, James Kirk, Steven Daly) and future Fire Engines founder Davy Henderson. Subway Sect made a particularly strong impression on several Edinburgh musicians through their stripped-down stage presentation.
Early Activity
Scars made their live debut on October 7, 1977, at Balerno Scout Hall near the Mackie family home. Their early sets included “Blitzkrieg Bop,” “I Wanna Be Me,” “No Fun,” “Substitute,” “You Really Got Me,” “Rebel Rebel,” and “Suffragette City,” placing punk material beside songs by The Who, The Kinks, and David Bowie.
Scars moved into Edinburgh venues over the following months, including the Wig & Pen, White Hart, Nite Club, and Clouds. On February 24, 1978, they joined the Skids, the Freeze, the Monos, the Subs, Cuban Heels, Berlin Blondes, and Groper for a multi-band show at Clouds in Tollcross. On August 22, Scars supported The Rezillos at the Kinema Ballroom in Dunfermline.
Scars appeared on August 5 at the Edinburgh Carnival Against the Nazis, a Rock Against Racism and Anti-Nazi League event in Craigmillar. Marchers left the Scottish Trades Union Congress offices on Hillside Crescent for the concert site at the Peffermill School sports ground. The bill included Aswad, the Deleted, the Freeze, Scars, the Monos, the Valves, the Fakes, and Cryptic Clues. Organizers also advertised the Clash, but the band did not appear.
Part of the Scars set ended after bottles and cans reached the stage. A recording from the appearance preserves “Sweet Dreams/Psychomodo,” later issued on the expanded edition of Author! Author!.
1979: Fast Product
In December 1977, Bob Last and Hilary Morrison established Fast Product, and Edinburgh indie with initial acts from Leeds (Mekons, Gang of Four) and Sheffield (2.3, the Human League).
On January 8, 1979, Last took Scars to Cargo Studios in Rochdale, where John Brierley engineered “Adult/ery,” issued in March 1979 as FAST 8 (b/w “Horrorshow”). Scars based “Horrorshow” on A Clockwork Orange and used Nadsat in the lyric. Fast later included both sides on the 1979 compilation The First Year Plan.
1980: PRE and the Singles Phase
For their second single, Scars moved to PRE, the short-lived Charisma subsidiary. PRE issued “They Came and Took Her” in February 1980 (b/w “Romance by Mail”). On February 20, they played their first session for BBC Radio 1 DJ John Peel, whose March 6 broadcast aired “She’s Alive,” “So Strong,” “Author! Author!” and “Je T’Aime C’Est Le Mort.”
Scars toured with the Human League across Britain in May, with an Edinburgh return at George Square Theatre. PRE followed with “Love Song” in May backed with “Psychomodo,” a Cockney Rebel cover.
As album sessions loomed, Calumn Mackay cleared out for Steve “Chic” McLaughlin, the former Cubs drummer. At the start of 1981, the Scars live track “Your Attention Please” appeared as a one-sided gold flexi through i-D. The band adapted the song from a 1961 poem by Peter Porter.
Paul Research met former Penetration bassist Robert Blamire through demo sessions with Pauline Murray. Scars first recorded with John Verity and PRE staff, then worked with Blamire as producer. PRE issued “All About You” on March 20, 1981 (b/w “Author! Author!”), the final Scars single ahead of Author! Author!.
On May 20, 1981, Scars taped their second Peel session for the DJ’s June 4 broadcast, which aired “Remember Me,” “Turn Me On,” “Vanishing,” and “They Came and Took Her.”
Album:
- Author! Author! (1981)
Singles:
- “Adult/ery” / “Horrorshow” (1979)
- “Love Song” / “Psychomodo” (1980)
- “They Came and Took Her” / “Romance By Mail” (1980)
- “All About You” / “Author! Author!” (1981)
Sources
- Paul Research interview, “Going the Extra Mile.” Firsthand account covering childhood piano and violin study, attempts to form bands with John Mackie, and the opening created by punk. (is this music?)
- Paul Research interview on the formation of Scars. Gives the February 1977 start, John Mackie’s switch to bass, Hot Licks recruitment, glam repertoire, and the May 1977 White Riot chronology. (Essentially Pop)
- “Scars: Edinburgh teens who became post-punk heroes.” Archived local account covering the Mackie brothers, Hot Licks advertisement, Balerno rehearsal room, and Edinburgh venue circuit. (The New Vinyl Villain)
- “Scars — Post-Punk Author! Author’s! Return.” Paul Research recounts the Robert King audition, early Ramones influence, high-frequency guitar approach, disco-derived rhythmic vocabulary, and Bob Last’s decision not to issue a second Fast single. (Coffee Table Notes)
- Fast Product collection history. Confirms Bob Last and Hilary Morrison established the Edinburgh label in December 1977 and identifies the northern-English emphasis of the first releases. (Science Museum Group Collection)
- Fast Product discography. Establishes FAST 1–8 in sequence, including the two Quality of Life fanzine numbers and Scars at FAST 8. (Punky Gibbon)
- Fast Product — The First Year Plan. Gives the January 8–9 Cargo Studios dates, January 11 mix, and placement of both Scars tracks on the label compilation. (Punky Gibbon)
- Big Gold Dream. Oral-history testimony identifies the Scars signing as Fast Product’s move toward Edinburgh and places “Adult/ery” / “Horrorshow” within the opening sequence of the Scottish post-punk label story. (Subsaga)
- Simon Reynolds, Rip It Up and Start Again footnotes. Malcolm Ross recalls Scars as predating the Josef K circle and describes the Fast single as the more angular phase of the group. (Rip It Up Footnotes)
- Scars UK singles discography. Confirms the sequence and sides: “Adult/Ery” b/w “Horrorshow,” “They Came and Took Her” b/w “Romance by Mail,” “Love Song” b/w “Psychomodo,” the “Your Attention Please” flexi, and “All About You” b/w “Author! Author!” (45cat)
- Scars 1980 concert archive. Documents the May Human League tour, including George Square Theatre in Edinburgh and dates across England and Scotland. (Concert Archives)
- Paul Research, 2023 interview. Firsthand account of Calumn Mackay leaving after the Preston date and the existing Robert Blamire connection through Pauline Murray demo sessions. (Vive Le Rock)
- Steve McLaughlin biography. Confirms the former Cubs drummer joined Scars after the original drummer left in 1980. (IMDb)
- “Your Attention Please” research. Traces the Scars adaptation to the 1961 Peter Porter poem and identifies the live gold-flexi release through i-D. (dokumen.pub)
- BBC Arts, Big Gold Dream. Identifies “Adult/ery” b/w “Horrorshow” as a major Scottish independent release and records Douglas MacIntyre’s retrospective placement of the single within the Scottish post-punk label sequence. (BBC Insight)
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